Glyn Moody<p>‘The <a href="https://mastodon.social/tags/K%C3%B6ln" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Köln</span></a> Concert is the hit he wants to disown’: why Keith <a href="https://mastodon.social/tags/Jarrett" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jarrett</span></a> shunned two new films about his unlikely masterpiece - <a href="https://www.theguardian.com/music/2025/feb/10/koln-concert-keith-jarrett-jazz-masterpiece-piano" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">theguardian.com/music/2025/feb</span><span class="invisible">/10/koln-concert-keith-jarrett-jazz-masterpiece-piano</span></a> "<br>‘The Köln Concert is the hit he wants to disown’: why Keith Jarrett shunned two new films about his unlikely masterpiece<br>His back hurt and his piano was substandard. But the musician’s improvised 1975 show entered <a href="https://mastodon.social/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a> history. "</p>